Agonac     Saturday
Beaumont     Tuesday, Saturday
Belves     Saturday
Bergerac     Saturday, Wednesday
Brantome     Tuesday, Friday
Cenac     Tuesday
Cubjac     Friday
Daglan     Sunday
Domme     Thursday
Eymet     Thursday
Excideuil       Thursday
Issigeac      Sunday
Jumilhac     Wednesday
La Coquille      Thursday
Lalinde     Thursday
La Roche Chalais     Saturday
Le Bugue      Tuesday
Le Buisson – Cadouin      Friday
Les Eyzies     Monday
Mareuil     Tuesday
Monpazier     Thursday
Montpon      Wednesday
Montignac     Saturday, Wednesday
Mussidan     Saturday
Neuvic     Saturday, Tuesday
Nontron     Saturday
Perigeux     Saturday, Wednesday
Piegut     Wednesday
Razac     Saturday, Wednesday
Riberac     Tuesday, Friday
Rouffignac     Sunday
Salignac-Eyvigues     Tuesday
Sarlat     Saturday, Wednesday
Sigoules     Friday
Sorges     Sunday
St Aulaye     Saturday
St Astier     Thursday
St Cyprien     Sunday
St Genies     Sunday
Terrasson     Thursday
Thenon     Tuesday
Thiviers     Saturday
Tocane     Monday
Tremolat     Tuesday
Vergt     Friday
Villefranche du Perigord     Saturday

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The Beune Valley has been occupied for a very long time. Around Commarque, prehistoric man has left numerous traces of his passage. Not far from the site at Commarque, Paleolithic man left two female statuettes known as the Venus of Sireuil and the Venus of Laussel.
On the other side of the valley, in the shelter at Cap Blanc, one can admire a frieze of prehistoric sculptures. Under Commarque Castle there is a cave where Magdalenian man carved animals on the wall, notably a very beautiful life-sized horse (not open to the public).

The Uncertain Origins of Commarque

The most reasonable hypothesis would be to attribute the founding of a keep at Commarque to one of the two abbots of the same name who succeeded the abbey see of Sarlat during the last third of the XIIth century: Garin (1169-1181) or Randolph de Commarque (1195-1201). The building of a tower allowed them to contain the ambitions of their vassals the Beynacs, with whom they had a relationship of conflict. It was a member of their family who obtained its guard. The first Lord of Commarque, thus, was a “milites castri” or knight, who followed orders from the Abbey of Sarlat. In the XIIth century, a concentration of population existed there, made up of a keep with living quarters, a chapel and house towers: it was the castrum of Commarque.

The Beynacs, Lords of Commarque

There is mention of Commarque in archive documents from 1255 onwards. Maynard de Beynac became the lord of the château. The house towers were held by the lineages of lesser nobles, the names of several of which are known: the Commarque, the Cendrieux, the Gondrix, the La Chapelle… Each house tower had an enclosure, its own access, and ditches. The lord and knights fought over the rights of justice, land and other property.

The Rise of the Beynacs

During the course of the XIVth century, two major lineages had the first regrouping of lands by successive acquisitions. The Beynacs succeeded in constituting a veritable castellany around Commarque when they retook the rights of Marquay and of Sireuil from the Cendrieux and imposed their suzerainty on the den of Laussel. The Commarques took back the lands and rights from the descendants of the other knights, either by buying them or through alliances. From the middle of the XIVth century, the entire lower courtyard had become the noble house of the Commarques: they now disposed of a defensive parameter largely exceeding that of the Château of Beynac.

The Patrimony of the Beynacs Combined

In 1379 Pons de Beynac, Lord of Commarque, married Philippa, 12 years of age, heiress of the lords of Beynac. By this alliance, the lords of Commarque acquired the castellany of Beynac and its dependencies.

The Hundred Years’ War

During the Hundred Years’ War, the Beynacs stayed faithful defenders of the throne of France. Pons de Beynac enjoyed several political favors: he was among the clients of Beaufort-Turenne, of the Avignon papacy and of the Anjou party. The extension of Commarque Castle between 1370 and 1380 has been attributed to him. He undertook heightening the keep and the curtain wall, and had the crown of machicolations built which was inspired by the Palace of the Popes in Avignons.

The Decline of the Beynacs and the Commarques

Nevertheless, the Beynacs came out of the Hundred Years’ War badly. First of all, in 1406, the English, driven by Archambaud d’Abzac, seized hold of Commarque. The whole family was brought together and made prisoner. A tax, ordered by the king, was levied on the inhabitants of Perigord and Quercy to pay the ransom. The castellany of Commarque began to break up. In 1395, Pons lost the suzerainty over Laussel . He was unable to retain Domme. And in 1441, the Beynacs went under the influence of the Count of Perigord, a visible sign of their political weakening. During the 1500s, it seems that the resident families had already deserted the castrum of Commarque.

The Wars of Religion

During the Wars of Religion, the Beynacs were loyal to the cause of the Reform. From Commarque, which was his base of operation, Geoffroy, Baron of Beynac and Lord of Commarque, launched several attacks on Catholic hideouts in the area and even furtively took hold of Sarlat. In 1569, Commarque Castle was taken for the first time by the Catholics led by the seneschal and by the Governor of Perigord. It is without doubt following this siege that the vaulted room collapsed. As the new master of Commarque, Geoffroy installed a garrison there which, by way of reprisal, would be hanged the same year.

The Abandon and Renaissance of Commarque

Guy de Beynac, the last castellan living in Commarque Castle, died there in 1656. The site was definitively abandoned in XVIIIth century. A century later the castle was in ruins. In 1968, Hubert de Commarque bought his ancestors’ ruins. He undertook the consolidation of the most damaged parts. Since 1994 there have been successive phases of consolidation and restoration. Hubert of Commarque has given Kleber Rossillon, the creator of the Museum of Medieval Warfare in Castelnaud Castle and the Gardens of Marqueyssac, the task of opening the Commarque site to the public. A program of archeological research has been in place for several years.

Open hours

April and all saints holidays: from 10:00 am- 6:00 pm
May, June, September:
from 10:00 am – 7:00 pm
July and August: from 10:00 am – 8:00 pm
Last admissions 1 hour before closing.

Free parking
Parking located 600 m from the site.
A specially fitted forest path leads to the entrance of the site.

2008 Price

Individual price
Adults: 6 €
Children (10 -17 yrs): 3 €
Children (-10 yrs): free

Group price
(for 20 or more persons)
Adults: 5 €
Children: 2,50 €

INFORMATION

There are two main entrances – southern porte del Bos (the D46/D50 approach from Cenac) or eastern porte des Tours (D46E from Sarlat). At the top of the village’s main street, Grand’Rue, is the central market place, place de la Halle, and the tourist office (Tel: 05 53 31 71 00, Fax: 05 53 31 71 09). It opens 10am to noon and 2pm to 6pm daily (10am to 7pm daily in July and August). It’s closed during January. Car parking inside the walls is metered. There’s a free parking lot just outside porte des Tours.

THINGS TO SEE AND DO

The best views are a few steps from place de Halle, from from the cliff-side Esplanade du Belvedere and the adjacent Promenade de la Barre, which streetches west along the forested slope to the Jardin Public. The preciptious bluff below was, amazingly, scaled by Huguenot besiegers during the Wars of Religion, one of the few times the bastide was captured.
Across from the tourist office, the 19th century reconstruction of the 16th century halles ( covered market ) houses the entrance to the grottes ( caves; 0553317100 ) 450 m of stalactite-filled galleries underneath the village that gave the inhabitants a handy refuge during times of attack.
On the far side of the square from the tourist office, the Musee d’ Arts et de Traditions Populaires (0553317100 ) has 9 rooms of clothing, toys, tools and other memorabilia from the past.
Several canoe operators are based in Cenac including Randonee Dordogne.

Discovered in 1901 by D. Peyrony, the Cave, 130 m long, contains about 250 paintings. The visitor can only see 30 of them, the most beautiful ones and the best preserved. After 60 m underground, the “Rubicon” is the beginning of the decorated part of the cave, with red dots on the left wall. These caves were not used as dwellings, they were shrines, according to A. Leroi-Gourhan The Grotte de Font-de-Gaume is famous for its cave paintings from the Magdalénien period. It is entrance is 20 m above the valley floor of the Beune valley, at the lower edege of a huge limestone rock.

There are many polychrome paintings and some engravings. The 240 figures show 80 bisons, which are the dominant motive. Most other pictures are also animals, 40 mammoths, 23 horses, 17 reindeers and deer, eight primitive cow, four goats, a wolf, a bear, and two rhinoceroses. More interesting, but less frequent, are four hand outlines and 19 geometric figures.

The cave was first settled by Stone Age people during the last Ice Age – about 25,000 BC – when the Dordogne was the domain of roaming bison, reindeer and mammoths. The cave mouth is no more than a fissure concealed by rocks and trees above a small lush valley, while inside, it’s a narrow twisting passage of irregular height in which you quickly lose your bearings in the dark. The first painting you see is a frieze of bison, at about eye level: reddish-brown in colour, massive, full of movement, and very far from the primitive representations you might expect. Further on a horse stands with one hoof slightly raised, resting. But the most miraculous of all is a frieze of five bison discovered in 1966 during cleaning operations. The colour, remarkably sharp and vivid, is preserved by a protective layer of calcite. Shading under the belly and down the thighs is used to give three-dimensionality with a sophistication that seems utterly modern. Another panel consists of superimposed drawings, a fairly common phenomenon in cave painting, sometimes the result of work by successive generations, but here an obviously deliberate technique. A reindeer in the foreground shares legs with a large bison behind to indicate perspective.

Useful Information
Location: Les Eyzies-de-Tayac. 1km from the centre of Eyzies on the left side of the Beune valley.

Open:

■ MAR Thu-Tue 9:30-12 + 14-17:30,
■ APR-SEP Thu-Tue 9-12 + 14-18,
■ OCT Thu-Tue 9:30-12 + 14-17:30,
■ NOV-FEB Thu-Tue 10-12 + 14-17.
Closed 01-JAN, 01-NOV, 11-NOV, 25-DEC.

Dimension: Length = 400m.

Guided tours: every 40min. Only 200 visitors per day, reservation necessary!

Address:

Grotte de Font-de-Gaume, BP 7, 24620 Les Eyzies-de-Tayac, Tel: +33-553068600, Fax: +33-553352618

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Recommended accommodation just 5 min. from Font de Gaume
Ferme de Tayac, a lovely B&B in a 12th century former Farmhouse / Monastery situated in Tayac, a quaint little village in the heart of the Vezere Valley and only 5 minutes walk from Les Eyzies, the Prehistoric Capital of the World. The rooms are all en suite, spacious and comfy, all with views and in former Monks quarters and oozing history. Built up against solid rock, which means that both downstairs and upstairs are on ground level, walls of solid rock, ancient oak beam structures, fortified walls 3 feet thick, a massive and original wine press in the huge dining room, monk’s carvings in the stone walls, and lots and lots more. For more info please visit their official web site : www.fermedetayac.com

Read what travellers have to say about Ferme de Tayac

Although it has one of the largest medieval urban areas (13th to 16th centuries) in the world, Sarlat cannot claim a very distant past. The initial Sarlat abbey was most probably founded between 820 and 840 AD by Duke Pepin of Aquitaine. Saint Bernard stopped off in Sarlat in 1147 during his journey through the South of France to spread the gospel to the many Cathars. The plague was predominant at the time. He gave the sick consecrated bread to eat and healed them. This event, this miracle even was commemorated by the building of the strange graveyard lantern which, still today, remains one of the towns symbols.

Lost in the heart of the distant Périgord, Sarlat could have sunk into oblivion if it was not for the Malraux Act of 4th August 1962. Perhaps the minister of culture (Andre Malraux) recalled having taken to the macquis (The name given to some French Resistance groups during World War Two) in the heart of the Sarlat woodlands, when he signed the act of renovation and restoration. The works carried out from 1964 onward have revealed a veritable treasure trove of Medieval and Renaissance art to the public. Tourists and film directors then took charge of bringing this corner of the Earth “which is the closest things to heaven” according to Henry Miller, to the attention of the whole world. The 1978 film version of “Les Miserable” was filmed extensively in Sarlat, but also in nearby Domme, with the stunning Beynac Castle standing in for the famous Toulon Jail. Sarlat’s wonderful architecture and medieval style buildings and stone roofs have made a backdrop for a score of other top motion pictures since, which has added to it’s fame an it’s fortune.

A warren of alleyways, virtually unchanged since the middle ages, lined with warm ochre stone houses, each with its own distinctive facade and ornately sculptured window embrasures, set off by the stone roofs and turrets, make Sarlat a must for any tourist visiting the Dordogne. Sarlat’s Saturday market is excellent, teaming with life, an unforgetable experience from the street artists that throng there, to the wonderful fresh local produce. Sarlat comes to life in summer with its Drama Festival and Film Festival as well as non-stop street shows in the old quarter. Sarlat is an artists paradise with many small galeries including the famous “Herdin”, student of Salvador Dali. Out of season there is also a well packed programme of cultural events, concerts, drama, films (often in the original language), a visit at Christmas is like stepping into a Fairy Tale, with piped christmas carols and Santas scaling buildings everywhere, there truly is something for everyone.

Sarlat Tourist Office

3 Rue Tourny – BP 114
F-24203 Sarlat Cedex

Tél. 33 (0) 5.53.31.45.45
Fax. 33 (0) 5.53.59.19.44
Web http://www.-sarlat-tourisme.com
Email info@sarlat-tourisme.com

⇒To contact the services (direct phone line and e-mail)
General information – 33 (0) 5 53 31 45 45 – info
Holiday rentals booking service – 33 (0) 5 53 31 45 40 – locations
Individual packages booking service – 33 (0) 5 53 31 45 43 – sejoursindividuels
Group packages (seminars..) booking service – 33 (0) 5 53 31 45 42 – sejoursgroupes
Guided tours of the Medieval city ,conferences – 33 (0) 5 53 31 45 42 – visitesguidees
Walking paths – 33 (0) 5 53 31 45 45 – rando

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Recommended accommodation near Sarlat ..
Ferme de Tayac, a lovely B&B in a 12th century former Farmhouse / Monastery situated in Tayac, a quaint little village in the heart of the Vezere Valley and only 5 minutes walk from Les Eyzies, the Prehistoric Capital of the World. The rooms are all en suite, spacious and comfy, all with views and in former Monks quarters and oozing history. Built up against solid rock, which means that both downstairs and upstairs are on ground level, walls of solid rock, ancient oak beam structures, fortified walls 3 feet thick, a massive and original wine press in the huge dining room, monk’s carvings in the stone walls, and lots and lots more. For more info please visit their official web site : www.fermedetayac.com

Read what travellers have to say about Ferme de Tayac

The new national prehistoric museum of Eyzies de Tayac bares all

Built in an overhang shelter on the face of a striking cliff, the National Prehistoric Museum of Eyzies de Tayac is located in Dordogne, in southwestern France. The museum features unique archaeological collections chiefly discovered at the most prestigious excavation sites in the Vézère Valley, added to UNESCO’s World Heritage List owing to its many Palaeolithic remains. 300,000 visitors annually are expected at the new museum, located in the heart of the Périgord Noir area, land of French philosopher Montaigne – a region acclaimed for its history, beautiful landscapes of dark and mysterious forests, and world-renowned gastronomy.

Established since July 2004 in the new building designed by architect Jean-Pierre Buffi, the museum houses some 18,000 pieces and a collection of six million objects.“Although the new museum bears witness to the presence of men and women of the 21st century, its modernity manifests itself through its environment, marked by the sheer height of the cliff it is built on and the small size of the historical village of Eyzies-de-Tayac, with its 900 inhabitants and its medieval ruins”, remarks Jean-Pierre Buffi, architect of the Toulouse multimedia library and of the Façade of the Bercy Park in Paris.

The museum’s collections were established as early as 1913, when indefatigable researcher Denis Peyrony convinced the French state to acquire the Château des Eyzies, built at the end of the 16th century, and to transform it into an excavation warehouse that could double up as a museum. These collections have since been tremendously enriched through excavation discoveries at regional sites as well as private donations.

“The museum made a political choice by deciding not to portray the entire history of the Hominids’ development”, explains Jean-Jacques Cleyet-Merle, the museum’s director since 1988. “Instead, the museum describes the Palaeolithic era: the history of the Neanderthals, who vanished 50,000 years ago, and of the Cro-Magnon man, who lived in socially structured groups, buried his dead and made objects that had a symbolic meaning”.

Visitors enter the new museum as though embarking on a trip to the origins of humanity. At the museum’s entrance, the main chapters of the Hominids’ development are evoked through an anthropological frieze and a brief reminder of Africa’s history, starting with the early Australopithecines. Many themes are explored, including the legendary “Lucy”, the small 3.5-million-year-old woman discovered in Ethiopia in 1974. Next, the staircase leading to the permanent exhibit galleries plunges visitors into the mists of time, revealing seven sequences that cover the entire Palaeolithic era through an “idealstratigraphy”.

Upon leaving the“abysses of time”, visitors – equipped with the keys necessary for interpreting the rest of the exhibit – slide into the lower gallery and discover, along a passageway, the various material cultures that succeeded one another from 400,000 to 10,000 BC. This same itinerary also retraces the development of these different cultures: early tools, furniture, and other artefacts. Many themes are presented, such as the lifestyle of Neanderthal populations and the appearance of modern man.

In the upper gallery, visitors are invited to follow an initiatory path from the outside world of mankind’s ancestors to the semi-darkness of the painted caves. Museum-goers can also admire the replicas of prehistoric hearths, of the homes built under shelters and of the places of origin of the objects on display in the rest of the gallery. The reconstructed grave of “L’enfant de la Madeleine” is of particular interest in this section.

Each object – statuettes, jewels, harpoons, lamps, scrapers of all sorts, to name but some of the pieces – has been selected with great care, based on its representativeness and its state of conservation.

Organised by Jean-Jacques Cleyet-Merle, in close partnership with the Scientific Council chaired by Jean-Philippe Rigaud, honorary director of the Institute for Prehistory and Quaternary Geology of Bordeaux, the new National Prehistoric Museum’s scientific programme has been influenced by the establishment’s location at the heart of the prestigious sites and deposits from which its acquired its exceptional collections. In addition to the famous Lascaux Cave and its colourful cave paintings, many listed sites hark back to 400,000 years of human history, from the Font-de-Gaume cave to the Combarelles and Rouffignac caves, as well as the Poisson, Moustier and Micoque shelters.

Artists at the time had a very basic colour palette, consisting of black, ochre and red, which they skilfully used to make colour gradations, creating astoundingly lifelike animal scenes. In the new museum, “the ochre tones, such as the grey of the cast-aluminium roofs, mirror the cliff’s timeless colours”, points out Jean-Pierre Buffi.

In addition to presenting its collections to the general public, conserving humankind’s heritage and supporting archaeological digs, the National Prehistoric Museum also hosts archaeologists, researchers and students from the world over, and collaborates with various foreign institutions.

The abundance of masterpieces, shelters and grottos that dot the entire Vézère Valley, framed by dark and mysterious forests, vineyards and rivers, should not cause visitors to forget that Périgord is also the land of foie gras, duck confit, walnuts, cep mushrooms and the distinct-smelling truffles. Just 20 km away from Eyzies-de-Tayac, Sarlat – a town full of art and history, whose old streets shelter the former home of humanist writer La Boétie – is well worth a visit. One of the favourite visiting places of film directors, this prestigious site regularly hosts special events such as film festivals, theatre games, village celebrations, and much more.

Nestled in the heart of Périgord Noir, Les Eyzies-de-Tayac is sure to captivate you. The entire region, including its soil, beats with the soul of humanity.

The Petrocores took part in the resistance against Rome. Concentrated in two or three major sites are the vestiges of the Gallo-Roman period – the gigantic ruined tower and arenas in Périgueux (formerly Vesone), the Périgord museum’s archaeological collections, villa remains in Montcaret and the Roman tower of La Rigale Castle in Villetoureix. The first cluzeaux, or artificial caves either above or below ground, are found throughout the Dordogne. These subterranean refuges and lookout huts could shelter entire populations. According to Julius Caesar the Gauls took refuge there.

Since the Guienne province had returned to the Crown under the Plantagenets following the re-marriage of Eleanor of Aquitaine in 1152, Périgord passed by right under English suze-rainty. Being situated at the boundaries of influence of the monarchies of France and England, it was to oscillate between the two dynasties for a long time. Over three hundred years of struggle until 1453 and the end of the Hundred Years War were to tear apart and, as a consequence, model its physiognomy.

With the end of the Hundred Years War, the Castillon plain on the banks of the Dordogne, during the calmer periods of the late 15th and early 16th centuries, saw a development in urban architecture. The finest Gothic and Renaissance residences were built in Périgueux, Bergerac and Sarlat. In the countryside, the nobility had the majority of our 1200 chateaux, manors and country houses erected. In the second half of the sixteenth century, however, they experienced attacks, pillaging and fires as the Wars of Religion reached a rare degree of violence in Périgord. At the time, Bergerac was one of the most powerful Huguenot strongholds, along with La Rochelle. Following these wars, Périgord, fief of Henry of Navarre. was to return to the Crown for good and suffer henceforth from the sudden political changes of the French nation, from the Revolution to the tragic hours of the Resistance. We also encounter the memory of its most illustrious literary figures: Bertran de Born, Michel de Montaigne. Etienne de La Boetie, Brantôme, Fenelon. Mahle de Biran, Eugene Le Roy and Andre Maurois; its great captains: Talleyrand, Saint-Exupery, Biron… and even Josephine Baker. A number of ruins (La Chapelle-Faucher, I’Herm…) have retained the memory of the tragedies which took place within their walls. Several of our castles and châteaux are open to visitors and some of them such as Bourdeilles and Mareuil, house remarkable collections.

In addition to its castles, chateaux, churches, Bastides and cave fortresses. Périgord has preserved from centuries past, a number of wonderful villages which still have their market hall, dovecotes, Tories (stone huts), church, abbey and castle (s). Saint-Leon-sur-Vezere, Conclat, Saint-Jefm-de-Cole, La Roque-Gageac and many others are real jewels of architecture. As for the old quarters of Périgueux or Bergerac, restored and developed into pedestrian areas, they have regained their former charm. A number of small towns, such as Brantôme, Issigeac. Eymet and Mareuil, have with-stood the often brash changes of modern times. A special mention should be made in this respect to Sarlat and Black Périgord.

Dordogne is one of the original 83 departments created during the French Revolution on March 4, 1790. It was created from the former province of Périgord, the county of Périgord.

Geography

The department is part of the region of Aquitaine and is surrounded by the departments of Haute-Vienne, Corrèze, Lot, Lot-et-Garonne, Gironde, and Charente, 6 départements. It is the third largest department of France.

Demographics

Dordogne has become one of the favourite destinations of British immigration to France, (more than 20 000 in 2006)

Tourism

There are more than 1,000 castles in Dordogne, including the following:

Beynac
Biron
Bourdeilles
Castelnaud-la-Chapelle
Commarque
Milandes
Monbazillac
Pécany
Puymartin

The famous caves of Lascaux have been closed to the public, but the duplicate model cave of Lascaux II is open to visitors and is a major tourist attraction. Périgueux has important Roman ruins, including an arena which is still visible inside a public park located near the town centre.

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This site is sponsored by B&B Ferme de Tayac, voted nicest B&B in the Vezere Valley 3 years running.
Ferme de Tayac, a lovely B&B in a 12th century former Farmhouse / Monastery situated in Tayac, a quaint little village in the heart of the Vezere Valley and only 5 minutes walk from Les Eyzies, the Prehistoric Capital of the World. The rooms are all en suite, spacious and comfy, all with views and in former Monks quarters and oozing history. Built up against solid rock, which means that both downstairs and upstairs are on ground level, walls of solid rock, ancient oak beam structures, fortified walls 3 feet thick, a massive and original wine press in the huge dining room, monk’s carvings in the stone walls, and lots and lots more. For more info please visit their official web site : www.fermedetayac.com

Read what travellers have to say about Ferme de Tayac